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		Plantin Most reference books credit F.H. Pierpont as being responsible for the Plantin® typeface, named after the 16th century type designer, Christopher Plantin. After a visit to Antwerp’s Plantin Moretus Museum in the early 1900s, Pierpont took stacks of specimens and artifacts to Monotype, where he directed the creation of the Plantin typeface.
		Screen Sans Screen™ Sans is a member of the Screen family – the TV core font set designed for exceptional on-screen readability.
		Screen Serif Mono Screen® Sans Mono is also a member of the Screen family – the TV core font set featuring character shapes that are easy to distinguish, regardless of screen resolution.
		Tioga The Tioga™ design offers superior readability even at small sizes. The font is ideal for developers of set-top boxes and digital televisions.
		Monotype Sans 950 The Monotype® Sans 950 font is the Traditional Chinese member of the Monotype Sans family of stroke-based fonts. Stroke fonts are fully scalable and offer superior display quality with minimal file sizes.
		Mincho The Monotype® Mincho design is a popular Japanese typeface. “Mincho” is a common style of Japanese fonts that is considered stylistically similar to serif fonts.
		ITC Tiffany Medium Designed by Ed Benguiat, the ITC Tiffany™ design is a contemporary blend of two significant faces not seen for many years. These were the Ronaldson™ and Caxton™ typefaces, first cut in the late 1800s.
		Parma Named after the Italian city where he lived and worked, Giambattista Bodoni’s Parma® typeface is a modern interpretation of his neo-classical type design.
		ITC Officina Serif Serif The ITC Officina® Serif typeface was first released in 1990 as a paired family of serif and sans serif faces in two weights with italics. The family was intended for use in business correspondence.